Mozart: Le Nozze di Figaro

On the eve of his wedding, Figaro is juggling preparations and a tangle of social maneuvering. Susanna, his astute fiancee, matches wits with the household as Count Almaviva tries to pursue her despite being married. A sequence of disguises, near-misses and sharp exchanges pulls servants and nobles into comic conflict. Mozart's music underlines sudden shifts from laughter to tenderness, so the staging keeps momentum while letting characters reveal private motives. The production foregrounds wit and theatrical energy without giving away how the entanglements resolve, keeping the focus on relationships and the playfulness of the situation. Performances balance humor with tender moments throughout.

This filmed staging was directed by Emilio Sagi for Teatro Real, produced in co-production with ABAO Bilbao and Las Palmas Teatro Pérez Galdós. Notably Jesús López Cobos conducts, leads include Isabel Rey, Luca Pisaroni, Barbara Frittoli, Ludovic Tézier, Marina Comparato.

As a filmed opera drawn from a stage production, its release was aimed at opera houses, festivals and limited cinemas rather than wide commercial distribution. There are no reported box office grosses, and its financial reach remained modest and specialized.

This staging brought a major Mozart comedy to audiences by preserving theatrical detail on film, helping to document Emilio Sagi's aesthetic and Jesús López Cobos's reading of the score. For viewers who can't attend Teatro Real, the release serves as an accessible record of performance style and casting from season.

The production plays the opera's interplay of class, desire and forgiveness for both laughs and human warmth, balancing servant cleverness with the aristocracy's foibles. Performers emphasize comic timing alongside lyrical expression, while the orchestra under López Cobos supports emotional shifts, so the staging feels musically assured and theatrically spry overall.