Nino

On the sidewalks of Paris, Nino tries to rejoin the world and rediscover himself after a period of withdrawal prescribed by his doctors. Over three days he moves through the city, listening for ordinary signs of life and testing what it means to be present again. An unexpected encounter with Zoé opens doors to conversations and places he would have walked past before, turning the urban landscape into a patient teacher. Family ties and the echo of past choices surface in quiet moments that challenge his hope without melodrama. The film follows a calm but stubborn effort to recover a sense of belonging, a test that remains unclear in its details but felt in every breath and encounter.

This 2025 French drama is the work of Pauline Loquès and Maud Ameline, with Théodore Pellerin as Nino and Salomé Dewaels as Zoé anchoring the cast. The city of Paris is used as a living, responsive setting, where small acts and hushed exchanges illuminate inner struggles and fragile connections on screen.

Box office data for Nino has not been publicly disclosed, and there is no widely reported worldwide gross. The film has appeared in limited festival circles, but figures on commercial performance have not been released to date.

There are no major awards announced for Nino at this time, but critics have begun to note its quiet emphasis on connection and healing rather than spectacle, seeing in it a restrained drama that favors character texture over sweeping melodrama. The absence of big prizes should not overshadow its visual and emotional clarity.

Audience response gathers around a 7.5 out of 10 rating from 35 votes, signaling a positive, if cautious, approval. The film leans into themes of healing and self reinvention, showing how memory, illness, and a crowded city can press a person toward new connections.