No tan lejos de Andrómeda

Félix and Magui come back to their homeland after years away, hoping to reconnect with family and settle down. Magui's parents install them in one of the family's houses, thinking stability will follow. Félix, however, has trouble fitting into the town's rhythms and values, and his refusal to go along with expectations creates friction. At the same time locals report sightings of mysterious "aliens" in the area, a detail that unnerves the family's patriarch and raises questions about what is real and what is rumor. The film keeps its focus on personal unease and shifting loyalties rather than on any straightforward explanation of those strange events.

Released in 1999, the film was directed by Juan Vicente Araya and features performances by Sergio Hernández, Patricia Velásquez, Marés González, Maricarmen Arrigorriaga, and José Luis Olivarí. It presents a distinctly local story, made with a small ensemble and a restrained production approach.

The movie had a limited theatrical presence, with no widely reported box office totals, and it did not become a commercial hit beyond its regional screenings. Its circulation appears confined to festival showings and select local releases rather than broad international distribution.

Critical response has been modest, and available viewer data is sparse, with an average rating around 6.0 out of 10 from a small number of votes. The film centers on themes of return from exile, the difficulty of rejoining a changed society, and how fear and rumor can destabilize a household. Performances emphasize quiet tension and unease, and the pacing favors observation over plot-driven action.

Though not widely known outside its original market, the film may interest viewers who follow Latin American dramas that address social change after exile. It also draws attention for its use of an uncanny motif, the "aliens," which invites interpretations that range from literal to symbolic, depending on how you read the town's suspicions and the characters' inner conflicts.