Nobody Walks in L.A.

Miles and Becca are old friends who decide, for one tense day, to pause big life changes and simply walk around Los Angeles together. Miles is dealing with a relationship that’s falling apart, while Becca is weighing a cross-country move, and they use the day to talk through regrets, small memories, and the choices waiting for them. The film keeps the focus tight on their conversations and the people they meet, letting ordinary streets and ordinary encounters reveal shifts in feeling and perspective. It moves at a low-key pace, favoring honest, unspectacular moments over melodrama, so the emotional work happens in plain sight rather than through plot twists or neat resolutions.

Directed by Jesse Shapiro and released in 2016, Nobody Walks in L.A. is an intimate indie featuring Adam Shapiro as Miles, Kim Shaw as Becca, and Peter Breitmayer in a supporting role, shot with a character-first approach and a modest production scale.

As a small independent release, the picture had limited theatrical exposure and a relatively modest commercial profile, depending more on word of mouth and regional or specialty screenings than on wide box office impact or major studio marketing.

Viewer ratings, though from a small sample, are positive, with a 7.8 out of 10 average from six votes. Critics and viewers who connected with it praised the chemistry between the leads and the film’s conversational, naturalistic tone. The themes center on timing, choice, friendship versus romance, and how simple acts can clarify what people want next in life.

The movie hasn’t rippled through mainstream culture, but it quietly resonates with fans of understated, character-driven romance and with anyone who enjoys Los Angeles as more than a backdrop. Its walking-while-talking structure uses the city’s neighborhoods to mirror emotional shifts, appealing to viewers who prefer realism, dialogue, and small revelations over spectacle.