Once Upon My Mother

In 1963 Esther brings a baby boy into a bustling family, Roland, the youngest among many siblings. From birth he is challenged by a club foot that makes standing and moving difficult. Despite all odds, Esther makes a bold promise to her son that he will walk and live a life as vibrant as any. What follows is decades filled with stubborn hope, practical improvisations, and moments of grace as she searches for ways to turn that vow into reality. The story blends warmth and humor with raw, intimate scenes of struggle, painting a portrait of a mother whose devotion becomes the engine that carries a whole family through triumphs and setbacks alike. It is a true testament to love.

Directed by Ken Scott and Roland Perez, the film rests on an original screenplay rather than adaptation. Released in 2025, it pairs Bekhti's intense performance with Cohen's grounded presence, supported by Japy and Vartan in pivotal roles that anchor the family dynamic.

Box office revenue worldwide is 12,377,729 dollars, signaling a solid, crowd friendly performance for a character driven drama that resonates with families and drama lovers alike, especially those drawn to stories of perseverance and motherhood.

Across its release window the film has earned a modest yet meaningful cultural footprint, particularly among parents and caregivers who see a reflection of daily grit in Esther's resolve. Critics have praised its warmth and humor, and Bekhti's portrayal is cited as a standout example of intimate character storytelling in modern cinema.

Reception skews positive with praise for its balanced mix of laughter and sentiment. The film treats disability with dignity and avoids clichés, while centering a mother's unwavering love, resilience, and the belief that sincere effort can shape a life. The performances from Bekhti and Cohen ground the film in emotional truth.