One Lover Too Many

Baron Preben is a man who has never had luck with the ladies, and the midsummer celebrations only seem to confirm it. He cherishes his long held secret crush on his friend Ida, and the chance to declare his feelings finally comes when a dashing rival steps into the scene. With the festival as a backdrop, Preben rushes to find the right moment and the right words, hoping to win Ida without wrecking their friendship. The plot threads a tangle of social etiquette, flirtatious misreads, and the pull of loyalty as rivals flirt and friends test loyalties. By the time the day ends, an engagement looms that nobody anticipated, shifting the balance within the circle.

Directed by Johannes Meyer, One Lover Too Many is a 1924 silent drama produced in the Danish film milieu. The cast includes Holger Pedersen, Karen Winther, Aage Fønss, Soffy Damaris and Emil Henriks. The film was shot in black and white with close ups and reaction gags typical of silent era performances, and Meyers brisk direction emphasizes timing.

Box office data for this film is not readily documented; as a 1920s silent release it does not have widely cited grosses or international totals, and archival records are sparse.

Reception and themes appear to center on how friendship, love and social expectation collide during a midsummer social whirl. The film uses quick misunderstandings and composure under etiquette to explore the risk of true feeling when rivals enter the frame, while keeping the mood light and character driven. The dialogue is conveyed through intertitles and expressive performances, a hallmark of silent cinema of the period.

As a relatively obscure entry from the silent era, One Lover Too Many has little traceable cultural footprint. There are no famous quotes or widely cited scenes linked to it, and it remains mostly a footnote in the history of romantic melodrama on screen.