Our Girls

Two families are thrown into upheaval when a serious accident nearly takes their teenage daughters. What follows is a tense exploration of what parents will do to protect their children and hold their worlds together. The film follows Anouk and Gwen's families as fear, grief, and unresolved loyalties push them toward difficult choices, all set against a quiet, intimate drama style. There are no clear heroes and no easy answers as the characters grapple with pain, responsibility, and the boundaries of parental love. The story rolls forward through small, precise moments that reveal how trust frays and rebuilds in the heat of crisis. The result is a portrait of endurance, guilt, and unresolved longing.

Directed by Mike van Diem, with a screenplay by Lykele Muus, Our Girls arrives in 2025 as a tightly wound drama built on restrained performances and a clinical, observant gaze. The ensemble includes Thekla Reuten, Noortje Herlaar, Fedja van Huêt, and Valentijn Dhaenens. It marks van Diem's return to intense character study after earlier projects and features shot in Dutch locations with natural light, long takes, and a restrained score.

Box office figures have not been disclosed publicly, and there is no widely reported worldwide gross yet. The film appears to be circulating through festivals and selective releases, rather than a broad commercial rollout. The marketing emphasizes family fault lines and ethical ambiguity.

There are no major award nominations announced for Our Girls at this time. Critics who have screened early, however, point to the performances of Reuten and Herlaar and praise the film for its restrained handling of trauma. Viewers are invited to consider how loyalty and harm intersect, and the slow burn of the narrative lingers after the screen fades.

The performances draw on restrained expressiveness, with quiet scenes that linger on faces and glances rather than dialogue. The film does not rush toward easy conclusions, instead presenting competing loyalties and unintended consequences, inviting discussion about what parental love can endure. The tone is measured, the camera unobtrusive, and the emotional landscape stays unsettled long after the credits.