Overdrive

When a pair of daring brothers pull off fast, high stakes heists across the South of France, their skill draws the attention of a ruthless French gang. What starts as a sleek game of cat and mouse quickly spirals into a deadly wager over cash, seduction and survival. Andrew and Garrett, two seasoned thieves, navigate a dangerous cityscape of luxury cars, glamorous cons, and brutal rivals as they try to outpace both police and ruthless crime lords. As the stakes rise, loyalties are tested and the line between trust and betrayal becomes blurred. The glint of chrome and the rush of pursuit keep the stakes intense.

Directed by Antonio Negret, Overdrive adapts a sleek premise from Michael Brandt and Derek Haas. With a budget around 28.2 million, the action thriller released in 2017, showcasing fast cars and brisk chase sequences.

The film grossed 11,247,280 worldwide, well below its 28.2 million production budget. It opened to modest audiences and faced stiff competition from bigger summer releases, contributing to a disappointing return on investment. Marketing was modest and release in key markets relatively restrained.

Overdrive did not receive notable nominations or wins from major award bodies. It landed in the busy middle of the action thriller field, delivering spectacle rather than prestige, and it did not become a recurring reference point in year end lists. The absence of accolades mirrors its status as a solid but unspectacular genre entry.

Reception and themes: Audience reaction skews mixed with a 6.1 out of 10 average from 990 votes, signaling a divided response. The film leans on loyalty and risk taking, offering brisk action while showing the cost of crime through its characters. Some viewers enjoy the polished production and car sequences; others wish for deeper character writing. The male led duo embodies a modern heist dynamic that doesn't overstay its welcome, leaving a lean mark on the genre.