Papi Sitter

Franck and Karine land a job on a cruise ship they can't refuse, hoping the pay will steady their finances. Camille, their daughter, has finals to study for but keeps chasing small thrills and social plans instead. To push her toward study, Franck calls his father André Morales, a retired national police captain whose rigid discipline still governs the household. Then Teddy Bardolino, Camille’s other grandfather and a wild former nightclub manager, returns after years abroad, ready to shake up the routine. Under one roof, the two grandfathers bring opposite approaches to rule and freedom, turning a simple plan into a chaotic funny clash of generations. The film keeps a light tone with quick banter and playful gags throughout consistently.

Directed by Philippe Guillard, Papi Sitter is a 2020 comedy centered on a clash sparked by a cruise ship job. Gérard Lanvin plays André Morales and Olivier Marchal portrays Teddy Bardolino, with Camille Aguilar as Camille, and it reflects values.

Box office data for Papi Sitter is not readily available, indicating a modest release and limited international exposure and casual home viewers. The film's appeal rests primarily with French audiences who enjoy situational family humor and the clash of generations.

Cultural impact is modest; the movie fits into a long-running tradition of French family comedies that mine intergenerational friction for laughs. It may spark conversations about grandparent involvement in parenting, a contrast between order and improvisation. The two grandfathers embody opposing ideologies, and their rivalry fuels miscommunications and light social satire that resonates with audiences who recognize family dynamics.

Reception leans toward lighthearted humor, with critics noting the performers keep the tone warm amid chaos. The film centers on parenting tension, the clash between strict control and letting go, and how a fractured family learns to adapt. Its humor rests on character chemistry and timing more than set pieces.