Paulette

Paulette leads a quiet, cramped life in a Paris suburb, living alone in a modest apartment within a gray housing project. Her pension barely covers rent, utilities, and a few groceries, and every day feels like a careful balancing act. She tracks expenses, borrows favors from neighbors, and keeps to routines that keep her afloat. The world outside her door is busy with small schemes and sly deals, and Paulette finds herself drawn into humor and risk as she tries to stretch what she has. The film blends crime caper energy with warm comedy to explore resilience in the face of financial strain, without losing humanity.

Directed by Jérôme Enrico, Paulette comes from an original screenplay by Laurie Aubanel, Bianca Olsen and Cyril Rambour. The cast is anchored by Bernadette Lafont, with Carmen Maura and Dominique Lavanant bringing warmth and wit to the neighborhood portraits, giving the film its local flavor.

The film holds a 6.5 out of 10 from 406 votes, reflecting a warm, crowd pleasing reaction that suggested broad appeal. It threads economic precarity and neighborly solidarity through a crime caper sensibility, turning hardship into mischief and heart, while keeping social observation humane. Viewers notice the balance between cheeky energy and grounded emotion, making the film feel accessible rather than alienating.

No major nominations or wins are listed in the available data, suggesting the film did not land prominent prize attention. Still, the performances by a veteran cast and the witty, patient tone earned appreciation from audiences who value character-driven storytelling, and it remains a notable entry in its genre for its anchored performances and grounded humor.

The film remains a relatively quiet entry in French genre cinema. Its charm lies in character driven humor and a lived in urban setting, not in iconic lines or viral moments. It offers a slice of everyday life with warmth, and it invites audiences to see resilience in ordinary people.