Pocketful of Miracles

On the streets of New York a sharp eyed gangster named Dave Conway and his girlfriend set out to polish Apple Annie, a long time street beggar. When Annie learns her daughter is about to marry into royalty, they decide to pass her off as a refined socialite to win access to upper class circles. The plan relies on a careful mix of make believe and nerve, letting Annie mingle with movers and shakers while keeping her humble roots intact. The result blends comedy and sentiment as two worlds meet and the stakes push everyone to reexamine who belongs in high society and who deserves kindness. Along the way the scheme tests loyalty and asks if money and polish can truly change a life. Its brisk pace keeps scenes short and witty.

Directed by Frank Capra, the film draws on Damon Runyon material with a screenplay by Robert Riskin and Hal Kanter. Released by Columbia Pictures in 1961, it pairs Capra's upbeat sensibilities with a star ensemble including Bette Davis, Glenn Ford, Hope Lange, Arthur O'Connell and Peter Falk.

Worldwide gross was about 5 million against a 2.9 million budget, marking a respectable return for a late Capra outing and indicating solid support from American and international audiences.

Pocketful of Miracles sits within Capra's late era blend of glitter and streetwise humor. It helped keep the Runyon style alive on screen, with Bette Davis giving Apple Annie a brisk wit and a heart that resonates with Broadway fans. It also showcases Capra's taste for brisk social satire.

Critics at the time noted its breezy tone and dependable performances, while some felt it leaned too light for Capra's grander ideals. The film wrestles with class, generosity, and reinvention, showing how appearances can open doors without erasing a life lived on the margins.