Poison Ivy: The New Seduction

In a quiet suburban cul de sac a striking newcomer arrives with a smile that hides a sharper edge. Violet, a glamorous and dangerous allure, slips into the family's routine and begins to tilt the balance between trust and temptation. She uses charm to pry into private lives, sparking envy, confusion and a growing sense of danger within the home. As affection and risk collide, the parents must reckon with the reality that desire can mask a calculated agenda. The tension escalates as secrets begin to surface, friends become suspects, and the line between protectiveness and obsession blurs under the glow of a seductive new presence.

Directed by Kurt Voss, this 1997 thriller romance drama features an original script by Karen Kelly. Jaime Pressly headlines as Violet, with Megan Edwards as Joy Greer and Michael Des Barres as Ivan Greer.

On a thematic level the film leans into the tension between attraction and danger set inside a polished suburban world. It treats seduction as a tool for manipulation and control, explored through interplay of desire, fear and loyalty. Critics noted the mood and performances while suggesting the plot relies on familiar genre devices. The result is a compact drama that uses glossy visuals and a sultry atmosphere to probe how easily trust can be unsettled when a stranger promises excitement.

While not a blockbuster, the title sits within the late 1990s vein of erotic thrillers that blend romance with danger. Jaime Pressly's turn as Violet marks an early high profile screen credit that helped position her as a bold lead in genre fare, a trend the era embraced in home video and cable markets.

No major awards are listed for this title in the data provided. It appears to be a mid profile entry in the Poison Ivy series that prioritizes mood and character dynamics over prestige, relying on atmosphere, styling and performances to carry its suspense.