Pound

Pound follows a rundown city pound where eighteen dogs of varied temperaments wait for a new home. The daily rhythms of kennels, cages, and cages again create a microcosm of human and canine quirks, as volunteers and staff try to coax affection from wary animals and the occasional hopeful adopter. The dogs become a chorus of personalities, from bold hounds to shy strays, each sparking small mishaps and unexpected moments of connection. The film keeps the tone light and deadpan, layering subtle social satire over the simple wish to find a family for a dog. It treats second chances with dry humor rather than sentimentality, suggesting that companionship can arrive in unlikely places and the occasional shared glance between them.

Directed by Robert Downey Sr. and released in 1970, Pound sits in Downey catalog. Joe Madden plays a Colonel, James Green is Honky Killer, Mariclare Costello plays Killer's Wife, L. Errol Jaye is Police Chief, Carolyn Cardwell noted Keeper briefly.

Box office data for Pound is not publicly available, underscoring its status as a niche late 60s to early 70s comedy. It did not produce a widely reported commercial run, and there are no prominent figures attached to its earnings.

There are no widely reported award nominations for Pound, which aligns with its obscurity and limited release footprint. Without eye catching accolades it remains a curiosity from Robert Downey Sr.'s avant garde era rather than a prize winner. Its place in Downey's career is noted by fans of offbeat cinema.

Reception appears limited, with a modest 3.8 out of 10 from five votes noted in the data. The film tilts toward dry humor and social satire, using a simple shelter setting to comment on institutions, human quirks, and the hope that a dog can change a life for some viewers.