Resurrected

On a not too distant future, the Vatican runs a controversial resurrection program that promises new life. Stanley Martin, a priest overseeing the project, starts noticing disturbing irregularities in how the revived are treated and what keeps the operation running. As he digs deeper, he uncovers a shadowy conspiracy that ties the afterlife experiments to a string of murders. With faith and science clashing, he must decide how much truth society can endure when life and death are controlled as public commodities. The atmosphere blends clinical laboratories with sanctified halls, punctuated by tense confrontations between clerics and scientists as whispers of sabotage ripple through the corridors. As the investigation tightens, the priest faces personal danger and questions his own faith.

Directed by Egor Baranov, Resurrected stems from an original concept by Joe Rechtman and Buddy Giovinazzo, with Dave Davis and Karli Hall in lead roles. Baranov uses stark lighting and tight framing to heighten paranoia and tension through careful pacing.

No major awards or nominations are listed for Resurrected in widely recognized databases. If there were festival appearances or genre award glimpses, they would be noted, but none appear in reputable catalogs. No details about release platform or awards are listed on major film databases.

Studio marketing keeps the Vatican angle to a minimum, so Resurrected has not established a broad cultural footprint. It may spark discussions among religious scholars. Its bold imagery is tempered by restraint and careful budgeting. The approach keeps scope intimate.

Audience reaction sits around 6.3 out of 10 based on 109 votes, reflecting a mixed response. The film probes resurrection ethics, church power, and how fear can be weaponized to control communities, while occasional dialogue heavy scenes test patience but underscore provocative ideas. The balance tests audience patience. Such questions linger after the credits for some viewers.