S.W.A.T.

Hondo Harrelson puts together a tight LAPD unit to handle high risk, breakout style tasks in a city that never sleeps. He recruits Jim Street, a talented but impulsive officer, along with Deacon 'Deke' Kay, a tough former street cop, and Chris Sanchez, a single mother who keeps a cool head under fire. The squad’s first test is a mission to move a feared crime boss, Alex Montel, to a secure facility. Montel doubles as bait, offering a massive reward to anyone who can free him, drawing a swarm of criminals and opportunists who want in on the payday. The mission tests each member's limits and sets the tone for the team's evolving trust. Stakes are clear from the start.

Directed by Clark Johnson, S.W.A.T. (2003) translates the 1970s TV series into a widescreen police thriller. The screenplay by McKenna, Ayer, and Hamner builds a lean ensemble and uses plenty of armored car chases and rooftop confrontations and tense action.

It earned about $207.7 million worldwide overall against an $80 million budget, making it a solid commercial success for its studio. It opened in theaters internationally and maintained strong attendance across multiplexes thanks to chase sequences and a recognizable cast.

Critics praised the brisk pacing and the chemistry among Samuel L. Jackson, Colin Farrell, Michelle Rodriguez, and LL Cool J. Some reviews cited familiar genre beats, yet the film emphasizes teamwork, loyalty, and the tough choices officers face under extreme pressure, in dialogue that keeps the action grounded for audiences.

As a mid-2000s American action film inspired by a 70s TV series, S.W.A.T. contributed to the era's high octane police thrillers. It helped keep the S.W.A.T concept in sight and showcased a mixed ensemble of action stars. Its practical stunt work and local locations set a template for cop thrillers.