Sanctuary

Inside a cramped, windowless hotel room, a hotel heir and the professional dominatrix who has guided his rise lock into a perilous duel of minds. Their arrangement, perched between mentor and employer, grows increasingly tangled as power shifts hands and sentences are spoken with precision. The room becomes a pressure chamber where every gesture and word carries weight. He insists he wants out, to cut the contract and walk away from the sex and subtext that have shaped his ambitions. Yet the confrontation exposes how far each has come, and how much each still depends on the other. The tension lingers long after the door finally opens, if it opens at all. The encounter tests boundaries of trust and desire.

Directed by Zachary Wigon, Sanctuary is led by a script from Micah Bloomberg. The film leans into intimate, single location storytelling that relies on dialogue and posture rather than grand set pieces, turning a simple premise into a psychological showcase.

Box Office: Sanctuary has grossed about 581 thousand dollars worldwide, reflecting a limited release strategy and niche appeal. The modest take mirrors its indie vibe, drawing audiences who seek character driven tension over widespread commercial spectacle and sharp performances inside.

As for awards, Sanctuary has not been listed for major nominations by major awards bodies. It's a compact, dialogue driven drama whose strength lies in the interplay of its leads rather than flashy accolades. If it collects recognition, it will likely come from critics circles for performances and direction alike.

Reception and themes center on a chilling study of control, dependence, and consent inside a single room. The performances by Margaret Qualley and Christopher Abbott anchor the tense dialogue, while the claustrophobic setting amplifies every power shift, leaving viewers to weigh motive, loyalty, and autonomy long after the credits roll.