Selfie

Selfie charts a society saturated by screens and constant updates, where keeping up can push people to the edge. The film follows a string of ordinary lives, parents, students, coworkers, and lovers, who stumble as notifications flood their days. Some crave connection, others retreat from it, yet everyone carries a pocket-sized pressure cooker that feeds into anxiety and chaos. Through quick, interwoven sketches, the story shows how the habit of filming, liking, and sharing infiltrates intimate moments, friendships, and careers. Humor comes from the absurdity of everyday tech rituals, from awkward camera angles to misread messages, while the characters wrestle with identity shaped by digital validation. Its humor stays light and invites viewers to reflect on digital habits in society.

Released in 2020, Selfie is a French comedy guided by a rotating directorial team that includes Vianney Lebasque, Cyril Gelblat, Tristan Aurouet, Marc Fitoussi, and Thomas Bidegain. The project comes from Heléne Lombard, Bertrand Soulier, Noé Debré, producers and writers.

Box office data for Selfie is not readily available. The film premiered in limited release and did not generate widely reported worldwide grosses, marking a modest footprint that relied on festivals and streaming rather than big theater numbers for audiences.

Selfie contributes to the ongoing dialogue about how digital life reshapes relationships and self perception. It stitches together moments from work, home, and school as characters chase notifications, encounter miscommunications, and laugh at social media rituals, painting a relatable snapshot of the smartphone era. The humor comes from quick cuts.

Critics respond to Selfie with a brisk, ensemble driven humor that sits on sharp observations about how screens alter intimacy, attention, and daily routines. The film flags the tension between online personas and real life while celebrating moments of honesty that emerge beyond the glow of a screen across continents.