Sightless

After a brutal assault, Ellen loses her sight and withdraws from the world to heal. The quiet of her home becomes a container for her fear, until she senses an unseen threat that seems to follow her. She insists that someone from her life is mixing into her routines and slipping past walls that should offer safety. Friends and caregivers doubt her, arguing danger hides in plain sight. As she pieces together what she can sense, the line between hallucination and reality blurs, forcing her to confront who she can trust and what she truly fears. Some sounds become probes and close calls heighten the sense that the threat is closer than it seems.

Sightless, released in 2020, is directed by Cooper Karl. The film unfolds as an original screenplay featuring Madelaine Petsch as Ellen, with Alexander Koch, December Ensminger, Lee Jones, and Deniz Akdeniz in supporting roles. The direction emphasizes mood over spectacle, giving the story a lean, intimate feel.

Box office details for Sightless are not widely reported, as the film circulated mainly through streaming and limited venues rather than a wide theatrical run.

Critical reception is mixed but thoughtful, with readers and viewers noting the tight focus on perception and fear after trauma. The film leans into Ellen's point of view to heighten suspense and suspicion, while the cast delivers restrained performances. The IMDb vote average stands around 6.77 out of 10 from 414 votes, signaling cautious engagement rather than broad acclaim.

Cultural impact for Sightless remains modest. It has not spawned notable quotes or widespread memes, but it adds to a niche of thrillers that use disability and surveillance to create unease. For some viewers, the tension hinges on what is unseen and who is trustworthy, rather than on gore. The film invites discussion about perception, accountability, and the line between protection and paranoia.