Sir

Sir follows Ratna, a widow who works as a housemaid for Ashwin, a young man from a prosperous Mumbai family. Ratna dreams of designing clothes and shaping her own future, even as her status keeps her distant from the life he leads. Ashwin notices Ratna's intelligence and warmth, and their conversations grow into something more than employer and employee. The romance must survive the scrutiny of money, family expectations, and the city’s rigid social rules, while Ratna guards her independence and Ashwin weighs loyalty against longing. The film centers on small, precise moments rather than loud drama, letting mutual respect, vulnerability, and moral choices slowly redefine what love can mean in a divided society.

Directed by Rohena Gera, Sir arises from an original screenplay that centers on class and desire. The film stars Tillotama Shome as Ratna and Vivek Gomber as Ashwin, and premiered for audiences in 2018 on the festival circuit.

Sir sparked conversations about power, privilege, and the dignity of service in contemporary Indian life. Viewers praised its quiet intimacy and Shome's restrained performance, and the Mumbai setting offered a grounded alternative to more glossy romances. The film lingered in discussions about social boundaries and personal choice. Its reception in festivals and streaming platforms helped elevate conversations about female agency.

Box office data for Sir is not widely reported, reflecting its festival and streaming profile rather than a major theatrical run. Its reach comes from reviews and streaming visibility, which helped it become a notable indie title.

Critics highlighted the film's focus on dignity under pressure and the tensions between affection and obligation. It treats desire with nuance, examining how money and social expectations shape choices without resorting to melodrama, while signaling that personal dreams still matter in a rigid system. The performances ground the themes in human detail.