Slaxx

Slaxx opens in a trend obsessed city where a chic clothing store becomes the stage for a sinister wardrobe menace. A mysterious pair of jeans seems to move on its own, snapping at staff as customers are evacuated and the shop descends into chaos. Libby, a hopeful and principled young salesclerk, is determined to protect her coworkers and customers while keeping her store from becoming a headline about mayhem. As the night wears on, the situation escalates from strange accidents to violent attacks, forcing Libby to team up with her skeptical colleagues to figure out what is driving the killer denim. The film keeps the action brisk and the humor sharp, without revealing too much about source of danger.

Directed by Elza Kephart with a concept by Patricia Gomez Zlatar, Slaxx is a Canadian horror comedy that made its festival debut at Fantasia 2020, blending social satire with practical effects, tight pacing, and bold production design with confident visuals.

Box office data is sparse due to its limited release and festival run, with revenue coming from small markets and specialty screenings rather than a wide release. It found a niche audience through festivals, streaming platforms, and word of mouth.

Critics noted the brisk blend of gore and humor and the film’s sharp take on fast fashion. Slaxx uses a supernatural premise to poke fun at consumer culture while delivering a tight, energetic experience. Its brisk pace and tangible visuals keep the audience invested. Humor lands with a sly wink.

Since its release, Slaxx has earned a place in indie horror circles for its quotable premise and cheeky satire, sparking conversations about ethical clothing and the power of small scale genre films to punch above their weight. It has a growing cult following at genre festivals and online communities worldwide.