Sorry if I Want to Marry You

After a sunlit escape to a lighthouse on Blu Island, Alex and Niki seem more in love than ever. They return to everyday life and reconnect with old friends, but the idyll soon faces real tests. Niki visits her friends and encounters changes that ripple through the group. Alex tries to blend his long standing friendships with the deeper bite of commitment. Flavio, Enrico and Pietro are no longer carefree husbands, and marriages encounter strains that threaten the balance of their lives. The film follows how love, friendship, and responsibility collide as time passes and ordinary pressures mount behind closed doors.

Released in 2010 and directed by Federico Moccia, this is the second chapter in the Scusa se ti chiamo amore story. It brings back Raoul Bova and Michela Quattrociocche as Alex and Niki and deepens their evolving relationship. Fans of Moccia will recognize the blend of humor and heartfelt moments that defines his work.

Reception was mixed, with audiences appreciating the chemistry of the leads and Moccia's light touch with humor, while some critics felt the movie recycles familiar setups. The film foregrounds themes of enduring love, the pull of friendship, and the tension between romance and everyday obligation as a couple navigates growth, gossip, and compromise. Its tone blends light comedy with moments of quiet reflection, aiming to balance warmth with realism.

Box office data for this title is not provided in the available materials, so its commercial performance remains unclear. The film circulated mainly in Italian markets where the first installment had established a devoted fanbase, suggesting a niche but loyal audience rather than a sweeping international release.

Cultural impact note: as part of Moccia's romantic drama universe, the film contributed to ongoing discussions about modern Italian romance. Fans remember Blu Island scenes and park bench conversations that echo in later Italian rom coms. While not a global phenomenon, it reinforced how relationships are portrayed in contemporary Italian cinema and helped fuel fan communities around the couple's fate.