Sunday 9 to 5

Miki Petrović, a writer, and his son Boris keep a weekly Sunday meeting that holds together a family split by distance and everyday life. The film follows one of those ordinary afternoons, focusing on small talk, old memories, and the awkward silences that fill the gaps between them. Scenes move through familiar rooms, cigarette breaks, coffee and short walks, revealing how routine can both soothe and underline what is missing. Performances lean on understatement, letting gestures and pauses say more than long speeches, while the narrative stays grounded in a single, recurring moment rather than broad plot turns.

A 1989 television drama directed by Aleksandar Đorđević, the project was created by Dragana Bošković and produced for the small screen, featuring a compact cast led by Milan Štrljić and Slobodan Negić.

As a TV movie there are no theatrical box office figures, it was made for broadcast and does not have recorded cinema grosses or commercial release data.

The film did not develop wide international notoriety, yet it sits within the late 1980s regional television repertoire. For viewers who follow Yugoslav era TV drama or the careers of the principal actors, it offers a snapshot of domestic storytelling from that period and occasionally appears in retrospectives or local programming schedules.

There are few widely available contemporary reviews, and public rating records show no votes on some listings, suggesting limited circulation. The piece centers on themes of separation, routine, generational misunderstanding and the quiet ways people try to stay connected. The intimate setup makes it less about plot twists and more about watching a relationship persist through ritual and restrained conversation.