Terminal

In a sprawling, anonymous city, two professional killers take on a peculiar assignment that threads through the night. A schoolteacher battles a terminal illness while trying to keep part of her life private. Meanwhile a janitor with a hidden agenda and a waitress who doubles as another identity drift into dangerous schemes. As the clock ticks, small choices ripple into deadly consequences, drawing the characters toward one another. A shadowy criminal mastermind pulls the strings, driven by revenge that pulls the whole midnight world into its dangerous orbit.

Directed by Vaughn Stein, Terminal comes from an original screenplay and leans into grime and noir, with a spare, hypnotic score and claustrophobic cityscapes that feel both glamorous and threatening. Robbie's dual role as Annie and Bonnie anchors the film, while Pegg, Fletcher, Irons, and Myers introduce a dizzying mix of wit and menace. The movie premiered in limited release in 2018, aiming at fans of offbeat thrillers and mood pieces.

The movie earned about 843,970 worldwide, reflecting a limited release and niche appeal. Marketing leaned on Margot Robbie's star power and the film's enigmatic premise, but it found audiences only in select markets and cinephile circles.

Critics offered mixed assessments, noting Robbie's performance shifts as the two characters slide through the night with sharp, dry humor. The film toys with fate and deception, showing how small choices send ripples through strangers lives and how power balances shift when danger closes in. Some viewers appreciated its stylish detours and compact runtime, while others found the pacing uneven and the tonal shifts distracting.

The film hasn't sparked widespread quotes or memes; it remains a curiosity for fans of Vaughn Stein and Margot Robbie. Its look, with neon-soaked nighttime shots and brisk, dry humor, earns it a niche afterlife on home video and streaming platforms.