The Crucifixion

An investigative journalist takes on a case that shakes a quiet town when a priest is jailed after a nun dies during an exorcism. She questions whether the nun died by his hands or as a result of a brutal struggle with something far darker. As she digs through church records, hospital notes, and guarded testimonies, loyalties and hidden agendas blur the line between crime and belief. The deeper she goes, the more rational explanations fracture under the weight of inexplicable events. The film keeps certain twists off screen long enough to let dread settle in and invites viewers to decide what they would believe about faith, guilt, and what lies beyond the veil. The film also aims to maintain a brisk pace and favors atmospheric implication over blunt exposition.

Box office revenue stood at about 6.55 million worldwide, reflecting a modest release for this horror thriller. The gross suggests a limited rollout, with performance stronger in select markets. Critical attention was modest, reflecting a niche appeal.

Directed by Xavier Gens, with a story by Carey Hayes, The Crucifixion released in 2017. The European setting and tense atmosphere are matched by a strong cast led by Sophie Cookson, Corneliu Ulici, Ada Lupu, Brittany Ashworth and Mathew Zajac.

Reception has been mixed with a 5.7/10 average from 525 votes. The film looks at faith under pressure, the tension between science and religion, and the moral cost of confronting evil through ritual and exorcism. Performances have divided critics, with Cookson earning some praise while others critique pacing for audiences.

Cultural impact is limited to horror circles that appreciate a grim mood and religious imagery. The Crucifixion sits among contemporary exorcism thrillers with a European flavor, offering a slow burn that appeals to fans who prefer atmosphere over flashy shocks for genre fans.