The Decameron

When a deadly plague sweeps across Renaissance Italy, a mixed group of nobles and their servants withdraws to a secluded villa. What begins as a genteel escape from fear quickly spirals into a tangle of grievances, flirtations, and petty power plays. The daylight social order loosens as long days of isolation tempt bold bets, sharp wit, and risky alliances. In this cramped refuge, secrets spill, loyalties shift, and the line between host and guest blurs. The writers lean into modern humor and brisk dialogue to explore how people cling to humor, status, and humanity when mortality shadows every room.

The series premiered in 2024 and is created by Kathleen Jordan alongside Giovanni Boccaccio and Marie Hanhnhon Nguyen. It stars Tony Hale as Sirisco, Tanya Reynolds as Licisca, Jessica Kate Plummer as Filomena, Karan Gill as Panfilo, and Lou Gala as Neifile. The creative approach blends sharp wit with period textures, aiming for a contemporary resonance while honoring Boccaccio's multi character frame.

Box office data does not apply to this TV series, so there is no worldwide gross to report. Television metrics such as streaming reach and audience retention are used to gauge its impact. If you want to know how it travels, look to its audience metrics on streaming platforms, rather than box office numbers, as the measure of reach and engagement.

As of now there are no major awards announced for the series. Critics are evaluating its performances and its take on a classic text rather than chasing accolades, with emphasis on ensemble dynamics and tonal shifts between comedy and drama.

Viewers seem drawn to the brisk banter and the way the show compresses large questions of class, fear, and resilience into intimate, story driven moments. It treats storytelling as both escape and critique of social norms. Its tone remains balanced, never tipping fully into farce or melodrama, which helps it appeal to both fans of ambitious TV and casual viewers looking for something smart.