The Devil's Bath

Set in mid 18th century Austria, The Devil's Bath follows Agnes, a devout newlywed whose warm life with her husband soon hardens into ritual and obligation. Across endless days of household chores and church bound duties, she feels her inner compass drift toward a gray, airless corner of the mind. Quiet rooms, a stern mother in law, and the relentless gaze of a community steeped in piety intensify her loneliness. What begins as nagging unease slowly mutates into a troubling claustrophobia as she wrestles with shame, longing, and a sense that escape might demand a price she never imagined. The film threads drama and mystery through a history of superstition and fear, probing the cost of moral confinement and consequence.

Directed by Severin Fiala and Veronika Franz, The Devil's Bath marks another collaboration between the Austrian filmmakers known for atmospheric horrors rooted in psychology. The ensemble features Anja Plaschg, Maria Hofstätter, David Scheid, Natalija Baranova, Lukas Walcher, and guests present.

Box office data for The Devil's Bath has not been publicly disclosed, and the film does not appear to have a wide international release with reported grosses. Availability may vary by territory and festival exposure, today in select markets worldwide.

As of this writing there are no major awards listed for the film in prominent databases, and it has not been widely nominated for top prizes. Critics have highlighted the precision of its performances, the restraint of its direction, and the stark visuals that linger after the credits for viewers.

Critical reception centers on a tense atmosphere and the tension between piety and personal longing. Audiences are invited into a spare, precise world where restraint and fear drive choices, while the film's historical setting underscores how isolation can distort a person's sense of right. Its pace invites contemplation and unease.