The Dogs

Fleeing an unstable father, a teenage boy and his mother slip away to a farmhouse, hoping the distance will heal wounds. The country air is supposed to bring quiet, but the place seems to watch you as soon as you step inside. A pack of feral dogs begins prowling the hedges and fields, snarling at the windows and tearing at the night. Within the creaking walls, restless spirits drift through the rooms, muttering in a language only the frightened can hear. The two strangers occupy a home that refuses to forget the violence that came before, forcing them to reckon with trust, danger, and their own limits. The sound design mirrors fear, with creaks, wind and howls weaving through night.

Valerie Buhagiar directs The Dogs from a screenplay by Anthony Artibello, Sheila Rogerson, and Allan Stratton. The 2025 horror thriller marks a collaboration that blends family drama with rural haunted house atmosphere, using creaking doors and flickering lights to unnerve viewers, and it mirrors classic small town dread and signals a fresh voice in regional horror.

Box office figures for The Dogs have not been publicly released, and the film has circulated mostly through limited releases and streaming chatter. No official worldwide gross has been disclosed so far, and promotional materials emphasize atmosphere over numbers.

As of now there are no major award nominations listed for The Dogs, and the film has not been recognized by the big ceremonies. If later acknowledgments arise, they will likely come from genre festivals or independent circuits rather than mainstream awards.

Audiences have given the film a mixed reception reflected in a modest 6.741 average from 29 votes. The dogs and spirits heighten themes of escape, parental danger, and fragile protection, while isolation sharpens tension and forces the characters to lean on one another in cramped rooms and wide fields alike.