The End of the Feud

Two long divided families, the Dawsons and the Putnams, have spent half a century locked in a fierce feud that shatters friendships and tests loyalties. At the heart is Hen Dawson, now the aging patriarch of the Dawsons, whose authority binds his clan to tradition and vengeance. Across the line stands Jed Putnam, the resolute leader of the rivals, who insists that honor demands costly, often deadly, choices. In a landscape of quiet frontier towns and terse gestures, the film tracks how grudges shape marriages, alliances, and the tomorrow of both households. No spoilers here, just the weight of inherited feuds and the price of pride. The pacing favors quiet tension and expressive faces. Its echoes linger in tiny towns.

Released in 1914, The End of the Feud was directed by Allan Dwan with a story credited to Richard Rosson, placing it among early silent dramas that showcased his steady hand and cross generation conflicts, powered by a concise ensemble.

Box office figures for this 1914 drama are not readily available, and contemporary commercial performance details have not been documented in accessible records. What little archival material exists suggests a modest release, with limited nationwide distribution at regional theaters nationwide.

No major awards or nominations are listed for this early silent production; like many 1910s dramas it did not appear on later award tallies and is rarely cited in modern retrospectives for accolades. Scholars often note its historical value rather than its trophy shelf for scholars of early cinema today.

Scholarly notes on The End of the Feud emphasize its focus on inherited pride and the cost of vendetta. Performances by Murdock MacQuarrie and Lon Chaney anchor the tense exchanges as generations clash over loyalty. The pairing signals a blend of rugged frontier drama and the era's rising star system.