The Gentleman

An aging ex soldier named Theo keeps a quiet ritual with Olga, a sex worker with whom he shares weekly conversations that squeeze memories of battles into small, ordinary moments. Their routine offers him a tether to a life that once made sense, even as age and loss press in from all sides. When Olga is killed, Theo refuses to let the past stay buried. He dives into a brutal quest for vengeance, letting a grim code guide his choices and inviting danger into his life. The pursuit draws the attention of Iborra, an alcoholic cop, and a ruthless hitman named Herodes, setting up a tense collision between grievance and the law. The city holds its breath as violence nears.

Directed by Gabriel Beristain, The Gentleman arrives as an original screenplay from Juma Fodde, Carlos Augusto Casas, and Teresa Trasancos. The film pairs gritty urban danger with stylized action that marks Beristain's foray into crime drama and a lean edge.

Box office details for this title are not publicly disclosed, and worldwide gross figures have not been released as of now. Some markets may have reported limited numbers, but overall the film keeps a low profile at the box office.

As of the current release window there are no major award nominations logged for The Gentleman. Critics have praised the performances especially Perlman and Montaner, while some note the film leans toward style over sentiment. The absence of accolades so far mirrors its niche appeal rather than a broad breakthrough.

Reception centers on the film's dark mood and blunt portrayal of vengeance. It probes aging, loyalty, and the line between justice and retribution, letting Perlman anchor a tense, morally gray thriller. The story moves through set pieces that keep the pace tight without losing its moral weight for some viewers.