The Last Supper

Five would-be reformers gather in Jude's cramped apartment and hatch a provocative plan. They are tired of polite debates and feel strongly about politics, so they decide to act on their beliefs in a dramatic, morally charged way. What begins as a midnight dinner party filled with sharp quips and uneasy loyalties soon spirals into a test of conscience as lines blur. The group's pact to murder controversial pundits is treated with deadpan humor and escalating tension, turning private discussions into a pressure cooker of ethics. The film uses this setup to ask how far people will go when ideals clash with reality. As the night wears on, trust frays and each member reveals their own compromises in the end for the viewer.

Directed by Stacy Title from a screenplay by Dan Rosen, The Last Supper arrived in 1995 as a dark comedy that blends elements of crime and thriller. Diaz leads Jude opposite a quartet of players who navigate the maze together.

There's no record of major awards or nominations for this film, suggesting it found its audience mainly through word of mouth and festival presence rather than accolades. The project stands out for its bold premise and tight ensemble work rather than prizes, though some critics praised its audacity.

Although modest, The Last Supper is noted by some for its blade sharp satire and willingness to tackle a volatile political premise. It is cited in discussions about how comedy can confront extremism without endorsing it and has a small cult following.

Reception was mixed as critics weighed the humor against a disturbing premise. The film probes hypocrisy and moral compromise while testing how far people will go for a cause that feels righteous. Blending sharp dialogue with rising danger, it invites laughter and unease in balance for audiences tonight.