The Lost Daughter

An affluent Western man discovers his daughter has vanished from Montreal and Zurich. His search drags him into a world where a secret group claims to value heritage, schooling, and physical beauty in those admitted as followers. He crosses borders with stubborn determination, following scattered clues while facing unfamiliar faces who guard their rules and rituals. The case pulls him away from his comfortable life and places him among wary informants, distant relatives, and enigmatic leaders who insist that lineage and training determine worth. As he digs deeper, the line between family duty and compromise blurs, and he must decide how far he will go to bring her back. The story probes power, faith, and the price of idealized beauty.

Directed by Roger Cardinal and released in 1997, The Lost Daughter credits Peter Palliser as the creator. The drama features Richard Chamberlain in a central role alongside Helmut Griem and Clare Sims, supported by a small, focused cast that tightens the storytelling for select international audiences.

Box office figures for this title are not widely documented, and there is no widely reported worldwide gross. The film did not make a notable splash at the commercial level, and its release appears to have been limited in scope.

No major awards nominations or wins are linked to The Lost Daughter. Its limited visibility means it did not rack up notable festival recognition, though some performances by the leads received cautious praise in a few reviews. The overall reception remains modest and restrained.

Reception hints at a mood and a focus on wealth, power, and the cost of pursuing a missing family member. The film raises questions about belonging, moral boundaries, and pressure of perfection on choices. Critics note a restrained pace that mirrors the protagonist's struggle and the secrecy surrounding the organization.