The Mark of Dracula

In a quiet rural town, a centuries old vampire arrives and casts a chill over daily life. The undead intruder stalks the empty lanes at night, slipping through shadows as old legends collide with modern worries. The locals contend with strange disturbances, rumors running faster than the truth, and a creeping sense that someone among them might be connected to the darkness. As fear and paranoia spread, friendships fray and old loyalties are tested, turning routine errands into tense tests of courage and resolve. The story follows a handful of residents who band together to confront the threat, compactly showing how a single supernatural menace can unsettle a tight knit community.

Directed by Ron Ford and released in 1997, The Mark of Dracula plays as a lean, straightforward horror tale set in a quiet rural community. The production credits are sparse and no widely cited source material shows up in public records.

Reception appears limited; the film carries a small 4.0 out of 10 from a single vote, suggesting a mixed to unfavorable response from the few who encountered it. Themes center on fear of the outsider and the way distrust can fracture a town, while the vampire figure probes the fragile boundaries between superstition and evidence, forcing neighbors to decide whom they can truly trust.

Box office data for this title is not publicly documented, a common fate for low budget or direct to video horror from the late 1990s, leaving its commercial performance hard to assess. With limited distribution, it likely circulated mainly among dedicated genre outlets.

No major awards or nominations are listed for this title, reflecting its limited exposure. While the cast includes Mark Vasconcellos and Valerie Belardinelli, the film did not attract significant industry recognition or festival attention, which is common for obscure late 90s horror projects.