The Masque of the Red Death

A ravaging plague sweeps the countryside while an indulgent prince seals his noble court inside a fortress and stages an opulent masked ball. After a noblewoman is banished, her estranged twin, raised among the poor and fleeing disease and hunger, assumes her sister's identity to seek safety behind the castle gates. Once inside, she steps into a realm of excess where erotic games, opium, political plotting, acts of vengeance and sudden decapitations are part of nightly life. Loyalties are unstable, secrets from the twins' shared past hang over the revelers, and the thin veneer of civility threatens to crumble as survival, status and retribution collide without revealing how it all ends.

Directed by Charlie Polinger, this adaptation draws on Edgar Allan Poe's original story and frames it as a horror drama with dark comedic edges. The principal cast includes Mikey Madison, Dominic Sessa and Colin Farrell, and the production emphasizes gothic set pieces and theatrical costume design.

As of now the film has not reported any major awards or mainstream nominations. There are no widely publicized festival prizes attached to the title, and award seasons listings do not show recognition at the moment.

Because it reimagines a classic Poe text, the movie taps into familiar gothic motifs: masked revelry, decaying aristocracy and the symbolism of plague. Its visuals and tone nod to earlier cinematic takes on Poe, and it may spark conversation among fans of literary horror and stylized period pieces, even if its broader cultural footprint is still developing.

Critical and audience consensus appears limited, with database listings showing a 0.0/10 vote average based on zero votes, indicating scarce public ratings so far. The film focuses on class division, identity and moral decay, mixing macabre spectacle with satirical critiques of privilege. Viewers should expect intense imagery, dark humor and moral ambiguity rather than straightforward comfort or easy resolutions.