The Night

Two Iranian Americans, Babak and Neda Naderi, pull into a hotel after a long day that was supposed to be a routine stopover. A midnight call from a family friend and a mislaid plane ticket lead them into a corridor full of locked doors and strange echoes. As the hotel seems to bend around their fear and fatigue, couples broadly unseen similarities bloom into sharp accusations and unresolved betrayals. What begins as a practical overnight stay mutates into a creeping ordeal where sleep feels borrowed from a nightmare and every encounter with the front desk, the housekeeper, and a sleeping guest pushes them toward choices neither wants to admit. The night refuses to end, and truth becomes a moving target.

Directed by Kourosh Ahari from a story by Milad Jarmooz, The Night emerged as a tightly wound psychological horror from Iran and the United States. It arrived in 2021 and is noted for its intimate, character driven approach to fear.

Box office revenue was reported at 25,570 dollars. The modest figure reflects its niche festival run and limited release rather than a wide theatrical push, underscoring the film's status as a tightly wound art house mystery with a narrow distribution.

Awards: There are no major nominations listed in widely recognized awards databases. The film did gain attention at independent festivals for its restrained direction and strong performances, but it did not secure high profile nominations. Its standing rests on craft, mood, and how it frames the immigrant experience in cinema.

Reception highlights the film's tense atmosphere and steady performances by Shahab Hosseini and Niousha Noor. Critics point to themes of trust and memory within a diaspora setting, trauma from exile, and the way a confined space can amplify personal conflicts, turning a hotel stay into a psychological trap for viewers.