The Overnight

Alex, Emily, and their son RJ just moved to Los Angeles hoping to settle in and find a steadier rhythm. A chance encounter in the park introduces them to Kurt, Charlotte, and Max, a lively, oddball trio next door. What begins as a casual, kid friendly gathering quickly extends into a late night that tests boundaries, trust, and the limits of hospitality. As cocktails flow and stories get bolder, the adults confront desires and anxieties in ways both funny and uneasy. The evening becomes a strange social experiment about friendship, secrecy, and the price of letting go, without tipping into melodrama. The ensemble cast plays off one another with dry wit and precise timing that keeps the dialogue sharp.

Directed by Patrick Brice and released in 2015, The Overnight teams Brice with a tight ensemble that includes Adam Scott, Taylor Schilling, Jason Schwartzman, and Judith Godrèche. The result embraces a brisk, improvisational tone that suits Brice's style.

Box office: The Overnight earned about 1.1 million dollars worldwide, reflecting its limited release and indie appeal. It found most of its audience through festival circuits, selective art house screenings, and word of mouth rather than a wide marketing push.

Cultural impact: The Overnight is often discussed as a bold slice of modern suburban life, where a simple social gathering spirals into provocative dialogue about boundaries, desire, and consent, anchored by strong performances that linger after the credits. It has become a talking point in conversations about boundaries in modern dating and neighborly dynamics.

Reception and themes: Critics noted the film blends awkward humor with reflections on social masks and adult intimacy, while performances from Scott and Schilling give the scenario emotional stakes that keep the tone balanced between comedy and disquiet. The result is a late night comedy that lingers rather than rushes to a tid y ending.