The Scientific Proof of the Existence of God

Thirty years after the upheavals of the 1968 era, Jean-Luc and his aging comrades gather once more to shoot a film that targets Swiss arms exports. They pool their memories and stubborn ideals to stage a satire about the moral weight of weapons and the people who profit from them. Their bold plan escalates when they sabotage an arms factory, triggering a chaotic chase that ends up in a courtroom rather than on a film set. Public opinion splits: some see the retirees as sanctimonious zealots, others as living proof that conscience can outlive youth. The comedy leans on warmth and sly irony, avoiding heavy handed philosophy while letting its characters argue out loud.

Directed by Fred Baillif and with a concept by Jean-Söbastien Simon, this Swiss comedy uses a small scale look at a protest that steps into cinematic territory. The film blends satire with affection for its veteran cast, producing a gentle and witty mood.

Box office figures for this title are not publicly reported, reflecting its niche profile and possible festival or limited release. It did not generate widely publicized grosses, and financial data is not readily available in standard listings.

No major awards are listed for the film. It seems to have circulated mainly through festivals and art house screenings, earning a quiet appreciation rather than high profile nominations. The absence of notable accolades places its reception in the realm of critics who favor offbeat humor and timely political themes.

Critics praise the film for its warmth and its willingness to treat a serious issue with a light touch. It explores how memory shapes political action and what responsibility looks like when art becomes a platform for protest. The result is a playful, morally minded comedy that questions legality, loyalty, and the cost of standing up for a cause.