The Sting

Two con artists from opposite ends of the streetwise spectrum team up to settle a death they both mourn. A green, quick minded hustler partners with a seasoned master of deception to outwit a ruthless gangster who thinks he’s untouchable. They hatch an intricate scheme that relies on timing, misdirection, and a gallery of decoys, playing different factions against each other while staying one step ahead of the law. The plan unfolds with sly humor, brisk dialogue, and a stylish late period glow that blends crime and comedy. It’s about trust, nerve, and pulling off a score that feels personal as well as profitable. Their nerves get tested as the con threads pull in a handful of accomplices and spectators.

Directed by George Roy Hill and written by David S Ward, The Sting arrived in 1973 as a sharp period caper built from an original screenplay rather than an adaptation, propelled by the chemistry between Paul Newman and Robert Redford.

The film earned $159,616,327 worldwide on a $5,500,000 budget, making it one of the era's highest earning comedies. Its success helped popularize stylish capers and contributed to the late 70s trend of ensemble crime romps for audiences today.

At the Academy Awards The Sting won Best Picture and Best Director for George Roy Hill along with Best Original Screenplay by David S Ward, plus wins in Art Direction and Costume Design and recognition in a few other technical categories. Its prestige lingered long after the credits rolled.

The Sting helped define the mainstream caper on screen by pairing charismatic stars with a clever, crowd pleasing con that never loses its sense of humor. Its period look and slick shuffle of tricks influenced later ensemble crime films and remains a touchstone for fans of con artistry, with parodies and tributes echoing its swagger.