The Tank

On the Oregon coast in 1978, Jules and Ben travel to claim a shuttered house left to them by Ben's mother, a relative who never spoke of the place. The property sits above a private cove, its beach undisturbed and almost inviting. Jules begins digging into the estate's murky past, hoping for answers about why the home was kept secret for so long. Meanwhile Ben stumbles into a danger that has slept beneath the walls and floors, waking something ancestral and protective. As the coast cools and the tides turn, their new home tests both their trust and their nerve without offering simple explanations. The couple's tentative bond is tested as odd noises and hidden spaces complicate trust.

Directed by Scott Walker, The Tank seems to originate from an original screenplay rather than a known adaptation. The production emphasizes mood and claustrophobic suspense over heavy FX, relying on performances to carry tension and economy. Shot on location along the rugged Oregon coast, the film uses natural light and tight framing to emphasize isolation and the unknown.

Box office data for The Tank isn't widely reported. The film appears to have had a modest release and has likely found its audience through limited theatrical play and streaming access. Marketing materials pitched it as a lean horrorscape. It experimented with festival showings and a limited release in select markets.

There are no major awards or nominations noted for The Tank, and it has not appeared on prominent annual lists. Critics praise its atmosphere and the way it uses space to heighten dread.

As a newer indie horror, The Tank has not yet left a broad cultural imprint. Its coastal setting and the idea of an unseen guardian may appeal to fans of atmospheric thrillers who seek suspense over spectacle for now altogether.