The Worst Person in the World

Across four years, Julie tries to map out her future while juggling romance and a wandering career path, resisting easy certainties and asking who she really is. The story follows her through a series of relationships and changing ambitions as she moves from restless dating to moments of clarity, only to rethink what she wants. The film shifts in tone from sharp wit to intimate honesty, pairing observational humor with quiet, aching truths about growing up. Julie's choices - from flirtations to harder commitments - illuminate the friction between personal desire and practical choices. Through it all, the movie keeps the focus on a woman learning to trust her own instincts and rebuilds her sense of purpose, and she grows.

Directed by Joachim Trier with a screenplay co written by Eskil Vogt, The Worst Person in the World is a Norwegian drama with a sharp romantic sensibility. It draws on contemporary Oslo life to tell a character driven, observational story.

It grossed about 12.7 million dollars worldwide on a five million dollar budget, signaling solid performance for a foreign language title. The numbers reflect a strong reception in cinemas and at international festivals rather than broad global franchise appeal overall.

Critics highlighted its witty dialogue and fearless portrait of a woman negotiating love and career. The movie sparked conversations about modern dating, personal ambition, and the pressure to choose, resonating with audiences worldwide. Its stylish, candid scenes and sharp observations left a lasting impression on contemporary romance dramas for many.

Critical consensus centered on Renate Reinsve's breakout performance and Trier's nimble direction. The film examines choice, timing, and the texture of everyday life, labeling adulthood as a messy progression rather than a clear milestone. Viewers walk away with questions about desire, authenticity, and the price of certainty in modern cinema.