There and Then

Temístocles is under pressure from a life that feels unsettled and comic. He believes his godfather, thought to be dead, has returned as a ghost to torment him and unsettle his already fragile sense of reality. The story slides between tense family moments, failing finances, and a blend of drama, farce, and the absurd as Temístocles confronts the icons of his past. Ghostly visits blur the line between memory and nightmare, turning worries into surreal tests of nerve. As his wife prepares to give birth and chances to salvage the family business slip away, Temístocles starts to question what is truly real. The tone keeps wobbling between heartfelt emotion and sly, manic humor, never settling into an easy note.

This 2013 comedy is a collaboration credited to Ángel Flores Torres and Juan Campesino. The film stars Jorge Zárate as Nereo and Ángel Flores Torres as Temístocles, with Ludwika Paleta in a key role. Production details are limited, and release data scarce.

There are no widely reported awards or nominations for this title. It appears to be an obscure release from a smaller circle, more notable to fans of unconventional Latin American comedies than to awards bodies. Its quiet profile reflects a modest footprint in cinema. That approach limits recognition and hype.

This film has not left a marked imprint on mainstream pop culture. It fits in with a niche of quirky, supernatural family comedies that emerge from regional cinema, yet it has few quotable lines or iconic scenes that circulate widely, making it a curiosity rather than a phenomenon at all.

Reception leans toward mixed, with some viewers appreciating the blend of drama and comedy while others find the tonal shifts uneven. Its core themes include facing past mistakes, the pull of family obligations, economic pressure, and the line between life and death. It invites audience reflection about forgiveness and renewal.