Tim and Eric Awesome Show, Great Job!

Tim and Eric Awesome Show, Great Job! throws viewers into a string of short, off-kilter sketches that mimic broken public-access TV, late night infomercials, and warped variety programming. Tim Heidecker and Eric Wareheim play shifting characters in absurd scenarios, while sketches are stitched together with intentionally ugly editing, fake commercials, bizarre musical bits, and strange special effects that push comedy toward the surreal. The show often lampoons small-time production values and celebrity glitz, and it brings in a rotating cast of guest performers, comedians, and oddball characters to keep each episode unpredictable and unnerving, without resolving any larger plotlines or character arcs.

The series premiered on February 11, 2007 on Cartoon Network's Adult Swim block and ran through May 2010. It was created by Tim Heidecker, Eric Wareheim, and Jon Wurster, with Jonathan Krisel directing many episodes. Tim and Eric also headline the cast, and the program attracted numerous guest stars across its run.

While it didn't collect mainstream awards in the way bigger network comedies sometimes do, the show found strong recognition in alternative comedy circles. Its offbeat approach earned praise from niche critics and built a loyal fanbase that supported the creators' later projects.

Tim and Eric Awesome Show, Great Job! left a clear mark on late 2000s comedy, feeding into Adult Swim's reputation for experimental humor and influencing internet sketch makers. Clips and characters spread online, and the show's aesthetic of awkwardness and intentional failure has been echoed by other comedians and digital creators. Its faux-commercials and grotesque bits became reference points for people interested in anti-humor and discomfort-based comedy.

Critical reaction tended to split along taste lines, but audience response shows steady appreciation, reflected in a vote average around 7.3 out of 10 from viewers. Major themes include satire of television production, the grotesque side of consumer culture, and how low-budget aesthetics can be used as a comedic tool. The tone is frequently abrasive and strange, but that's the point, and it rewards viewers who like comedy that bends rules rather than follows them.