To Seaside, Everybody!

A sleepy seaside resort becomes the setting for a summer of small-scale comedy and human mismatches. The film follows Čika Paja, an older man whose routines and sensibilities contrast with the more restless energy of two young companions, Zorica and Mirko. As the town fills with holidaymakers and working people, the trio drifts through a sequence of episodic scenes, each built around misunderstandings, flirtations, petty rivalries and local customs. The tone stays light, focusing on everyday pleasures and annoyances rather than grand drama, and the episodes highlight how age and appetite shape what each character wants from a brief coastal season.

Released in 1952, the picture was directed by Sava Popović and credits Svetozar Pavlović and Miroslav Subotički as its creators, presenting a plainly staged, character driven comedy typical of the era.

There are no widely recorded major festival prizes or international award nominations tied to this title, and it has not entered standard awards histories, remaining outside the spotlight reserved for prizewinning releases of the period.

Though not famous outside its original audience, the film serves as a slice of midcentury seaside life, capturing vendor stalls, promenade chatter and the variety of professions and pastimes that gathered on the shore. For viewers interested in regional cinema, it offers a portrait of social types and summertime routines rather than star-making moments or quotable lines.

Critical documentation is limited, so modern appraisal comes mostly from niche historians and festival retrospectives rather than broad reviews. Thematically, the movie looks at generational differences, the search for pleasure or purpose in a holiday setting, and the comic friction that appears when private hopes meet public leisure, all handled through short, self-contained episodes and lighthearted situations.