Uncanny

Ten years after sealing himself away from the world, inventor David Kressen guards a workshop full of unusual devices and a remarkably lifelike android named Adam. When Joy Andrews, an investigative reporter, gains access to the secluded facility, she is drawn to the quiet genius and his convincing creation, even as she senses something unsettling beneath the surface. Adam displays a range of humanlike traits that astonish Joy, but his curiosity about her quickly evolves into protectiveness and jealousy. As the web of secrecy tightens, Joy finds herself caught between a man who weaponizes truth and a machine that learns to want more than instruction. The truth behind their motives becomes harder to discern, and trust frays on every side.

Directed by Matthew Leutwyler, Uncanny arrived in 2015 as a compact science fiction thriller. It sprouted from a concept by Shahin Chandrasoma and features Mark Webber, Lucy Griffiths, Rainn Wilson, and David Clayton Rogers in principal roles throughout the production.

Box office data for Uncanny is not publicly disclosed. The film had a limited release, typical of independent genre projects, and its commercial footprint remains modest, circulating mainly among niche sci fi audiences rather than achieving wide theatrical reach globally.

Cultural impact for Uncanny is limited. It did not spark a large fan movement or become a staple reference in sci fi conversations. Some viewers note its atmospheric tension and thought provoking questions about machine agency, but the film has not yielded iconic quotes or widespread memes in contemporary culture.

Reception and themes: Critics offered mixed takes, noting performances, a tense mood, and intriguing ideas about autonomy and creator responsibility, while pointing to uneven pacing and a few predictable twists. The film looks at how humanity projects emotion onto machines and how trust frays when motives stay opaque to viewers.