V/H/S/Halloween

A battered collection of Halloween-themed videotapes surfaces and unleashes a string of brutal short films that turn a night of candy and costumes into a contest to stay alive. The movie strings together different found-footage segments, each focusing on a small group of people whose holiday plans go wrong in increasingly violent and weird ways. Some segments follow kids and teens messing with occult props, others put adults on edge with unsettling domestic scenes; the linking footage makes the whole feel like someone flipping through cursed home movies. There are shocks and practical effects, plus a steady sense that ordinary rituals can snap into nightmare without warning.

The film was released in 2025 as an entry in the V/H/S franchise, directed by an ensemble including Bryan M. Ferguson, Casper Kelly, Micheline Pitt-Norman, R.H. Norman, Alex Ross Perry, Paco Plaza, and Anna Zlokovic. It leans on the anthology format the series is known for, and it features segments with Samantha Cochran, Natalia Montgomery Fernandez, Elena Musser, Adam Carr, and Charlotte Mae Curtis.

Commercially the movie found a niche audience rather than mainstream success. It played to genre fans and horror festivals, and it didn't register as a wide blockbuster; its performance reflected the franchise's devoted following more than mass-market appeal.

Among fans of found-footage horror the film added a few vivid images that circulated online, especially around the Halloween season. Clips of standout practical effects and the more outrageous costume-based scares showed up on social feeds, helping the movie maintain a presence during October and reassuring viewers the V/H/S brand still delivers shortform shocks.

Critical reaction was mixed to positive, reflected in a user vote average of 6.268/10 from 164 votes. Reviewers praised individual segments for creative gore and atmosphere but noted the uneven quality between directors. Themes include fear weaponized through ritual and recorded media, childhood rites turning dangerous, and the ways casual voyeurism can make ordinary horrors feel immediate.