We Bury the Dead

After a catastrophic military failure, the dead return with a new, predatory purpose. The authorities insist the reanimated are harmless and slow, a message meant to comfort grieving families and steady a frightened public. Ava, driven by a missing husband and a need to know the truth, slips into a sealed quarantine zone against orders. There she confronts a stark reality that ignores official reassurances. The undead are not just back, they are becoming faster and more ruthless by the hour. As the danger escalates, the film probes what people are willing to believe when survival hinges on trust in those who say they can protect them. The consequences ripple outward. The city holds its breath as events unfold tonight.

Directed by Zak Hilditch, the film pairs Daisy Ridley and Brenton Thwaites with a tense, claustrophobic setting that amplifies fear. The project marks Hilditch's continued work in high stakes genre storytelling, blending practical suspense with stark, restrained visuals for audiences.

Box office information for We Bury the Dead has not been publicly disclosed, and there is no widely reported worldwide gross at this time. The film's financial performance remains undetermined as it arrives in markets. Prices and grosses are unavailable.

There are no announced nominations or wins for major awards at this time. The film has yet to appear in prominent festival lineups, and any future recognition will depend on how critics respond to its blend of horror and science fiction. Future nominations may come once the film reaches audiences.

The story leans into themes of grief, distrust, and the moral cost of military assurances during a breakdown of order. It uses its tense sets and practical effects to force Ava to weigh personal loyalty against collective safety, raising questions about truth, accountability, and fear. The result is tense, truly.