We Live in Time

Two strangers from different worlds cross paths in a busy city and find a connection that quietly alters both lives. Tobias Durand, an up and coming chef chasing his first big break, meets Almut Brühl, a recently divorced woman reassessing what she wants. At first the spark seems fleeting, yet time threads their story through years of kitchens, small rituals, and late night conversations. Across a decade the couple negotiates work, desire, and responsibility, letting choices in the present echo into the future. What begins as a chance encounter becomes a meditation on love, distance, and the patience required to grow together. The film asks how time can redefine belonging without losing the warmth of a true connection for them.

Directed by John Crowley with a screenplay by Nick Payne, the film marks a refined adaptation style that centers intimacy and dialogue, letting the performers shape the emotional arc and guiding the viewer through shifts in time with quiet confidence.

Produced on a 20 million budget, We Live in Time earned about 37,182,814 worldwide, translating to solid returns that underscore its niche appeal and growing word of mouth among festival debuts and mainstream release audiences in multiple markets worldwide today.

Critics and audiences greeted the film with a warm but nuanced response, rewarding Garfield and Pugh for their restrained, lived in performances. The story threads time with romance, memory and ambition, inviting viewers to consider what true partnership requires across years, kitchens and quiet mornings, and shared meals for all.

As a newer release with a modest footprint, its cultural impact is still forming, yet discussions highlight the film's human scale and food imagery. Viewers talk about time shifts as more than plot devices, seeing them as a meditation on love and patience, inviting viewings and conversations about second chances.