Yu Pui Tsuen II

Yu Pui Tsuen II follows a young man who wakes from a vivid dream after a night of intense passion. Worried, he seeks counsel from a Buddhist monk who offers a cautious reading of the vision. The monk says the dream serves as a warning against letting desire rule a life. Ignoring the warning, the man marries a virgin and then pursues a series of affairs that blur the line between love and obsession. As temptation grows, the consequences press in, testing loyalty and faith. The film blends dream imagery, ritual motifs, and lush period detail to ask whether discipline can protect a person from ruin. Its pacing shifts between quiet dialogue and lush visions, heightening fate's pull for audiences.

Directed by Ho Fan and drawn from material by Manfred Wong Man-Chun, Yu Pui Tsuen II arrived in 1987 as part of Hong Kong's fantasy romance wave. It favors mythic mood over humor, setting it apart from Sex and Zen.

Box office figures for Yu Pui Tsuen II are not widely documented, and the film remains a niche title in Hong Kong cinema. Its release profile was modest, with limited screen counts and few export pushes compared to genre releases.

Critics who recalled the era noted its moody atmosphere and fusion of erotic desire with moral reflection. The film probes how longing tests restraint and faith, using dream logic and ritual imagery to blur the lines between temptation and consequence while keeping a focus on its characters, and invites discussion.

Within the landscape of late 1980s Hong Kong fantasy cinema, Yu Pui Tsuen II sits alongside works exploring desire and morality. While not as famous as Sex and Zen, it contributes to a lineage of boundary pushing romance films that blend myth and eroticism, and invites debate about sexuality's role.