7th Floor

From a busy Buenos Aires block, a high powered lawyer named Sebastian leaves his ex wife's seventh floor apartment to drive his two children to school. The kids sprint down the stairs while he rides the elevator, trying to catch up before the lobby doors close. On the ground floor he waits, glancing at his watch as the city hums outside, phones buzzing and street vendors calling. The moment seems ordinary at first, yet a subtle tension grows as small choices press on him. The scene folds moral questions into daily routine, turning a simple commute into a test of responsibility, privacy, and the price of keeping appearances.

Directed by Patxi Amezcua, Alejo Flah and Lucas Acardo, this Argentine drama thriller anchors a compact premise with a strong ensemble. Filmed against urban textures, it leverages intimate performances to probe a moment when everyday acts reveal deeper loyalties, secrets, and consequences for better or worse.

With Ricardo Darin and Belén Rueda headlining, the film taps into a familiar pedigree in Argentine cinema. Their presence lends weight to a lean narrative that rewards attentive viewing. The urban setting and restrained mood have earned it a place in discussions about contemporary genre bending in Argentina.

Critics have offered a mixed response, reflected in an average rating around 5.8 out of 10 from 247 votes. The story centers on parental duty and ethical choices under pressure, turning a routine school run into a meditation on responsibility and consequence. Viewers are drawn to the earned tension rather than loud shocks, and the film invites reflection on how personal decisions ripple through family life and the city at large.

Box office data for 7th Floor is not publicly documented, so there are no widely cited worldwide grosses to report. The film appears to be a limited release, with performance largely confined to its home market. As a result, financial details remain scarce.