A la pálida luz de la luna

At its core the film tracks a marriage strained by pride and shifting desires. Carmen leaves her husband Julio to be with a worldly intellectual who built a career in the United States. Julio then rents a room with an aristocrat whose fortunes have faded, a living arrangement full of social quirks. Along the way he meets a cast of colorful acquaintances whose antics fuel both comedy and reflection. As the cityscape of Madrid offers its backdrop, Julio weighs the pull of affection and stubbornness and the idea of reclaiming what was lost rises through the capers and conversations that shape their uncertain future. Its humor comes from the small absurdities of daily life and the sharp observations of its cast.

Directed by Jose Maria Gonzalez Sinde and written by Jose Luis Dibildos, this 1985 Spanish comedy captures mid century urban life with wit. The film blends humor with social observation, letting fashion, language and ritual shape the scene as each actor adds a distinct voice. Its tone stays light even as it mirrors a society in transition.

Box office details for this title are not widely documented and it does not appear to have notable international grosses. Availability varies by region and archival records are limited, making precise figures hard to verify for researchers.

The film leaves a modest imprint on popular culture, mostly as a window into Spain in the 80s rather than for punchline quotables. Its ensemble energy and the dynamics between an aging aristocrat and a restless couple offer a snapshot of social pretensions and the desire for change.

Critical reception has been modest, with praise for its performances and light touch rather than bold satire. The film plays with fidelity and aspiration, using humor to probe how couples communicate, mask their ambitions, and mend the gaps between desire and commitment.