All God's Children

In mid 19th century Ireland, a prisoner is led into a windswept marsh where the land seems to close in around him. The Governor presides over a tense interrogation while Morrell and a nearby priest watch every move, seeking the burial site of the victim from the man’s past. The stark landscape and cold wind sharpen every question, turning memory into a courtroom and fear into motive. The scene unfolds as a hard edged drama of power, guilt, and accountability, with the marsh itself pressing on the characters and quietly judging the trace of truth that emerges from their words. The Governor's questions press on the prisoner and the marsh seems to tighten around them. Time feels different here indeed.

Directed by Tom Cosgrove, All God's Children is listed as a 2003 crime thriller. The available data identifies Cosgrove as director and notes the film appears to be an original production with no listed source material in the provided information.

Box office data for All God's Children is not publicly documented, so there are no reliable figures to report. No press materials quote grosses. As a result, numbers remain unavailable. Such gaps frustrate researchers and collectors of niche cinema online.

There are no major awards or nominations listed for this title. With limited public exposure and scarce critical coverage, All God's Children has not been highlighted at major ceremonies or festivals, so its trophy cabinet remains empty, and that absence speaks to its quiet status. That absence may fuel curiosity.

Critical reception for this obscure title is not widely documented, but the premise foregrounds questions of guilt, justice, and the power dynamic between an authority figure and a spiritual presence. The marsh setting heightens moral tension and suggests that memory itself can be a courtroom, where truth weighs on conscience.